Volume 1 spans 2026. Works are organized by issue, each built around a central theme or subject.
VOL. 1, SPRING 2026
Fig. 1–2. Distinguished Gentlemen, series of two, acrylic on canvas, 2026.
Two large canvases concerned with the aesthetics of authority. The figures here are suited, composed, and deliberately presented. The uniform of the credible, the organized, the legitimate. And yet each face is obscured. Not hidden in shadow. Masked. The kind of covering we culturally reserve for those outside the law, borrowed here and placed on those well within it. The hand is raised. The posture is confident. Something is being said. The series does not tell you what to think about that. It simply asks you to look.
| Date | February 2026 |
| Medium | Acrylic on canvas |
| Format | Series · 2 works · large format |
| Status | Available · inquire |
Fig. 1. N8636M Bonanza, mixed media on canvas, 2026.
A painting about flight, family, and everything it took to get here. A tribute to my brother’s 1963 V tail Bonanza and the journey that got us both here.
| Date | March 2026 |
| Medium | Mixed media |
| Subject | N8636M · 1963 V tail Bonanza |
| Status | Not available |
Fig. 1–2. Horses & Cowboys, diptych, acrylic on canvas, 2026.
Two large format canvases exploring the mythology of the American West. Its riders, its animals, its energy. The left panel captures motion at the edge of chaos: a rearing horse, rider barely holding on, forms dissolving into gesture. The right panel is stillness in contrast. A lone figure on horseback, set against bold flat color, watching. Together they ask what it means to be in control, and what it means to let go.
| Date | March 2026 |
| Medium | Acrylic on canvas |
| Format | Diptych · large format |
| Status | Available · inquire |